I read some articles I’d saved to Instapaper while on the treadmill at the gym this week. Frustratingly, I had no Internet access while I was there, so I was forced into a rare state of readerly isolation.
Most of my reading these days is grounded in social connections. With the exception of the (mostly guilty pleasure) fiction I read in the evenings before bed, I read online all day, almost every day. I read things that have been shared by my Twitter and Facebook communities, or I find things on my own and consider whether to share them myself.
During my forced period of lonely reading, I recognized some of the skills that I have to apply during my social reading. It seems to me that these are exactly some of the types of awareness we try to cultivate in students who are developing their skills as readers and writers. Some of these are obvious, others maybe not so much.
The first set of questions to consider is based on a standard media literacy approach, applied in the social media context when we examine content shared by our contacts:
- Who’s the source? Who shared the link, and who actually created the content? Are they connected? If so, does their connection matter? If not, why did my contact share this content? What’s his or her motivation to share, or his or her personal interest in this content? (See also Howard Rheingold’s advice on “crap detection.”)
- What comment did my contact attach to the content? Why? Has it altered my interpretation of the content, and if so, how? Do I agree or disagree with my contact’s commentary? If there is no commentary, is there a reason why not?
- What is the main point of this content? (When so much information flows forth from social media, we have to be able to quickly “get the gist” of what we choose to read more closely.) What is my reaction to it?
When I choose to retweet or re-share information, I have an additional set of considerations:
- To which audience do I distribute this content? My Twitter and Facebook communities overlap by a few members, but are really quite different. I have to consider my audience’s interests and preferred content consumption styles in making this choice. The constant challenge to “think of your audience” issued to students in writing courses takes on an immediate relevance in social networks.
- Do I distribute this link with my own contact’s commentary attached? How would my audience respond if so? (How might they respond just to my sharing of content from the contact him- or herself?)
- If I substitute my own commentary, I must quickly summarize my response in a few characters, or I must responsibly shorten my contact’s commentary to be able to add my own. How do I best capture his or her response and complement it with my own? How do I respectfully disagree, if necessary, to maintain a civil tone in my network?
- If I summarize the content of what I am sharing, how do I do so accurately? How do I also write my summary in an intriguing way, inviting my network to click on it themselves? (This is akin to good headline writing, and indeed, some instructors have used tweet writing as a way to teach headline writing skills.)
In this post, I’ve tried to make explicit some of the sophisticated interpretive skills required by active participation in social networks and sharing content. For those who diminish social media as mere narcissism or distraction (yes, they’re still out there), I challenge them to see these media as another place where students can develop their critical thinking skills, in many of the same ways we ask them to attempt in traditional reading and writing. This is a new format, to be sure, but an increasingly important one, and also a format in which students can find much that interests them personally.
