Mapping the Magazine

4 Jul
Porthcawl Seafront

Another reason I'm excited to go to Wales: family heritage. This is the seafront in Porthcawl, in south Wales, where my mother spent every summer as a child.

It may be a holiday in the U.S. today, but I’m busy doing the final edits on the paper I will be presenting at the “Mapping the Magazine 3″ conference this week at Cardiff University in Wales. This conference is going to be incredibly interesting. Check out the paper abstracts, and watch for tweets with the hashtag #mtm3 once we get started on Thursday.

The research I will present is, at last, a fulfillment of my January blog post about my interest in digital activist magazines and how activist publishers are using digital platforms for their work. (I also looked at this topic in a MediaShift story.) It took me a while to complete the project — and the paper itself is still very much a work in progress — but I’m excited about it, and so grateful to the 15 individuals at various publications who agreed to be interviewed. I’ll provide an update on the project as it develops.

After I return from Wales, I’ll be packing, moving to Oregon and getting ready for a new academic year (oh, and also attending the AEJMC conference in St. Louis in August!) so I expect things may be a bit quiet here on the blog until August. Have a great summer!

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New Post at MediaShift: Sensors, Mobile Devices, and Digital Magazines

1 Jul

I have a new post up at MediaShift today on the innovations in sensors for mobile devices and what they might mean for the future of digital magazines. I thought “sensor publishing” was a particularly fascinating concept:

Users of sensor-equipped mobile devices could serve as passive authors of projects that gather, analyze and present data from these sensors. Esposito calls this “sensor publishing” to distinguish it from crowdsourcing because it doesn’t require participants’ active involvement.

Digital magazines and other media applications could collect sensor data — such as location, temperature, ambient light or other readings — and find ways to incorporate the data into stories, or to make them stories in themselves.

Check out the rest of the story at MediaShift.

Also, an observation: that’s my ”Health” apps folder from my iPhone in one of the screenshots with the story. It seemed oddly personal to use that, somehow. They’re just apps, after all. But evidently I’m not the only one who feels like the phone is such a personal object, given some of the discussion I’ve seen of how smartphones are perceived as quite intimate objects by many of their users. I guess that does include me after all.

Euston Station

An lovely picture by RTMoynihan on Flickr, taken at Euston Station in London, where I'm headed next week as part of my trip to the Mapping the Magazine conference in Cardiff.

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Connections to the Scholarly Past

27 Jun

I realized today that due to my job transition this summer, I will be without access to scholarly publishing databases until I get a login and password to the library resources at my new college. I also realized that I haven’t used a print version of a scholarly article in over three years.

PCL at UT-Austin

The Perry-Castaneda Library (aka PCL) at UT-Austin. I spent many, many, many hours here. Photo by Timothy Vollmer on Flickr.

As a grad student at UT-Austin, I was able to find just about any print journal I needed, including some very old issues from the 1940s and 1950s. I also used the university’s special collections to find old magazines for my research, which was fun. I made a special trip to Texas A&M once to look at some old editions of conservative political magazines for a research project [PDF link to article].

Since joining the faculty at Fresno State in 2008, I’ve used the library stacks a bit, but never to find a print journal article. The Fresno State library’s holdings are of course smaller than UT-Austin’s, understandably. But more significantly, I’m now relying almost entirely on databases like Communication and Mass Media Complete to find references I need, along with my beloved Google Scholar and other digital sources. I’ve used Interlibrary Loan a few times to request articles not available in full text or posted elsewhere online.

I love using the library. I loved going to find Warren Breed’s 1955 article on social control in the newsroom in a dusty old edition of the journal Social Forces. (Now it’s online, naturally.) It was compelling to me to see a half century worth of knowledge on the shelf, there for the exploration.

Of course, I’m also just as big a fan of the iPad and e-reading as anyone else out there. I taught a whole graduate course last fall without printing out a single journal article, keeping everything paperless by reading it all on the iPad.

I am curious, though, about what it means to lose a physical connection to the works of scholars of the past. A university library’s paper editions may be more accessible to community members seeking scholarly articles, so I suppose that’s an argument for retaining them, especially considering academic publishers’ grip on online distribution. (An example of the conflicts here.)

Some, uh, exciting reading. Photo by marlened on Flickr.

Do we researchers gain anything by being able to physically touch and browse scholarly journals? Are databases sufficient for journal articles, but academic books still worthy of print publication? (If so, what’s the difference?)

Maybe there’s simply a sense of connection to a scholarly legacy that is gained by keeping the paper around. When I strolled the stacks at UT-Austin during my Ph.D. program, I felt a growing sense of connection to the centuries of authors whose work surrounded me, as if it were part of my scholarly apprenticeship to simply spend time in the presence of their thoughts.

And perhaps that’s simply a romantic ideal now outdated — just as it now seems silly to think that the tangible feel of a book is irreplaceable, when I happily snuggle in bed with a Kindle book.

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Research Post: Make Magazine and the Maker Faire

12 Jun

My article “‘We Need a Showing of All Hands’: Technological Utopianism in Make Magazine” will be published next month in the Journal of Communication Inquiry, and is already available to those with access through the Sage website. If you’d like a copy, let me know. Here’s a short summary, but the article provides much more evidence and analysis.

It’s great when your research interests line up with your personal interests. I was always curious about the Maker Faire, an event sponsored by Make magazine in San Mateo, California, and other cities around the U.S. The Faire seemed like a great place for someone with both crafty and geeky tendencies to hang out. I had been reading Make occasionally and enjoyed the magazine, too.

As a journalism researcher, I was also aware of other trends in the magazine industry — specifically, the increasing popularity of real-world magazine events that reinforce the magazines’ brands and unite the “imagined community” of magazine readers by bringing them together at events. I was curious about this trend as both a business strategy and a growing cultural phenomenon. So, this geeky crafter headed to the May 2009 San Mateo Maker Faire ready not just to learn some new skills, but also with a participant observation research mindset fully in place.

What I found at the Maker Faire was so compelling that I ended up conducting an entire research project around the event and the magazine’s content. I was fascinated to see the nationalistic and political references throughout the Faire, such as flags on posters and quotes from then-newly inaugurated President Barack Obama on posters and stickers. The Faire and magazine’s promise of self-actualization and community building through “making” was also evident in various ways. It was a heady mix that, well, made you want to make.

Making in itself isn’t problematic. It’s fun. However, a closer look at the Faire and the magazine’s content showed that there was another, subtler promise being made about making. There was a deeply rooted sense of “technological utopianism,” or the concept that humans can, through the savvy development and application of technology, create an ideal world.

Moreover, I felt something different developing when I looked closely at the Faire and the magazine: the representation of a possibility for “technological rehabilitation” — the idea that, having fully exploited our ecological world to the point of serious damage, we might find ways to rehabilitate it through the use of technology. Make and the Maker Faire suggest we can develop those rehabilitating technologies ourselves, on our own terms, for our own enjoyment and satisfaction, but also for the salvation of our entire (American) nation.

While this is a tempting narrative for those seeking hope in challenging times, I was forced ultimately to question whether a narrative of “technological rehabilitation” was a positive one for readers of Make and participants in the Maker Faire, and for our world at large. While individual makers’ innovations toward the goal of ecological rehabilitation would be positive steps, they are not necessarily as effective as Make would seem to suggest, given that the efforts of individuals to, say, build rain barrels or reuse plastic bags in interesting ways unfortunately pale in comparison to the constant injury done to the environment by larger political and economic forces.

This is not to say that “makers” shouldn’t continue to try to find new and more environmentally sound ways to do things, but that the story that Make tells about making is not necessarily the best story for us to hear about the role of technology in the world. Instead, we have to look at other ways in which technology has damaged the world and ways we may need to innovate non-technologically, to live with less or different technology, as our ecological systems have likely been damaged past the point of no return. Stories and events that help readers think in that direction might ultimately be more productive for ensuring the survival of humanity long-term.

Like Robert Jensen, one of my mentors whose writing helped inspire this study, I am curious about ways journalism can provide alternative narratives for our future — not just revise old ones for an increasingly desperate time. Stories and events that can unite people around those narratives could be powerful.

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New Post at MediaShift: Developers Make Apps, Mobile Presence Possible for Small Publishers

8 Jun

It’s quiet around here lately. I’ve been wrapping up the spring semester and preparing for a big move to a new job at Linfield College in McMinnville, Oregon, next year. But in the meantime, here’s my latest post at MediaShift, focused on how small magazine publishers can outsource their apps to external developers:

Even a small magazine can make a powerful impression with a well-designed mobile presence. In some ways, digital platforms can level the playing field for small publishers wanting to attract readers’ attention with innovative content and presentations.

But getting onto mobile platforms with apps and optimized websites can be a significant challenge for small publishers. While major magazine companies like Condé Nast and Time have resources for research and development and can dedicate employees to digital innovation, small magazines are often run on a shoestring by limited personnel. That’s why some small publishers have turned to external app development companies, hoping that outsourcing their apps will lead to better results at a lower cost…read more.

I’ll be back soon with regularly scheduled posts. In the meantime, happy summer!

New MediaShift Post: Kids’ Magazines on the iPad

17 May
Child With Red Hair Surfing, after Lilla Cabot Perry

Photo by Mike Licht on Flickr.

I have a new story up at PBS MediaShift on kids’ magazines making the move to the iPad — or, in some cases, growing up solely for the iPad.

My favorite aspect of this piece is what I learned about how apps might enable kids to read socially — discussing stories with one another in a safe environment, contributing their own thoughts and ideas to the publication, developing their critical reading skills in entirely new ways:

“Children’s magazines are wonderful for creating a sense of community,” Letvin said. She anticipates a time when “digital magazines are able to do some of these things, including some social connections, particularly if it involves international contexts with other schools.”

Timbuktu includes a section called “Ask Auntie Rita” that uses letters from children. Favilli says they hope to open the section to readers’ letters in the next issue, which could be written by Timbuktu’s worldwide audience and submitted within the magazine app.
I love to think about the ways that these digital magazines might make kids better readers and also more globally conscious, connected citizens. There’s amazing potential here if publishers and educators can find the right ways to develop it.

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Oregon Bound: Moving On

16 May

Though my friends and colleagues have known about it for some time now, I have yet to write here about the next step in my career. I’m leaving Fresno State as of June 30, and moving to McMinnville, Oregon, in late July. There I’ll join the faculty of the Department of Mass Communication at Linfield College.

I am immensely grateful to my colleagues at Fresno State for their guidance and compassion toward a new faculty member, and for the many opportunities to grow as a teacher, researcher, and person provided to me during my time at Fresno State. My colleagues continue to give their all to their students during these terribly challenging times for the university, and I have been so impressed by their commitment and generosity of spirit.

At Linfield, I’ll be teaching Media Writing, Intro to Mass Communication, and Mass Communication and Society — courses similar to those I’ve been teaching, and that I very much enjoy. I’m especially excited about bringing more technology into my classes and about teaching writing again, which is great fun for me.

Linfield is a small liberal-arts college much like my own alma mater, Trinity University, where I received an excellent education from great faculty. I am looking forward to returning to that kind of environment and to making connections with media professionals and other academics in the area.

I am so thrilled to have this opportunity. Thank you to all of those who have made my journey possible.

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