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Magazines as Life Narratives

17 Feb

narrative, consumption doodle
I’m working on a new research project, and while reading up on previous research, I’ve come across some studies of how social movements construct narratives in various media for their participants. Understanding themselves as part of a movement’s past/present/future stories helps participants identify with and act upon the movement’s goals.

My study is going to be on magazines in particular, and I think the role of narratives in magazines is in some ways similar to how social movements might use them. I’m not talking about narratives just in the sense of storytelling, though I think that’s one component of this issue. Instead, what I mean is that magazines suggest certain narratives of our lives that connect with us as readers. Cosmo readers aspire to be the “fun, fearless females” by living the life story shown in Cosmo, and Runner’s World readers hope to become better runners by following the advice and stories of those featured in the magazine.

What are the components of effective magazine-wide narratives that will really connect with readers? For me, as a reader, I think it’s the following:

  • Connection with authors. I love seeing articles by familiar names in my favorite magazines. I know what style, tone, and content to expect, more or less, in the story, and I look forward to delving into the article and continuing my relationship with a trusted author’s unique voice. At a time when it seems many magazines just feature a random string of writers, feeling a strong connection to the storytellers makes me want to keep reading their stories and the magazine, and suggests I can take their recommendations more seriously.
  • Emotional experiences. Some of my hobby-related magazines are too full of generic advice about the craft or activity. I can get that kind of basic information anywhere online. From my magazines, I want to be sucked into a real story that will make me feel something related to this activity. (One of my recent favorites in Bicycling was a story about a mountain bike race in Juarez.) I’d so happily trade all the fluffy (cheaply produced) service bits at the front of the issue for just one more substantial, engrossing (expensive to create) story.
  • Stories with a purpose. I want to be able to act upon a story, not just feel like I’m flipping through pages, impatiently looking for substance, feeling guilty that I’ve bought yet another magazine bound for the recycle bin. The best magazine experience, for me, is when an issue with dog-eared pages ends up by my computer for some online follow-up, or lands in my bag to take to a friend. Feeling like I’ve learned something tangible that adds to my life, or that I can share an amazing story with a friend, is a powerful reward for readership.

What my reading about the social movements’ media use has shown me so far is that feelings of personal connection, emotion, and purpose also help people identify with a cause. That identification can lead to a desire to live the kind of lifestyle proposed by the movement, and to take action to participate in it in more concrete ways.

If magazines’ cause is to help readers identify with their content and thereby to maintain their desire to live out the narratives magazines suggest, then — for many magazines — deepening the reading experience may be the best course. That’s increasingly going to be the case, given all the other options we readers have online to find alternative sources of information and ideas that fuel our desired identities and narratives.

Recent Stuff Roundup: Teaching, City/Regional Magazines, Research

18 Nov

H u s t l e  &  B u s t l e

This has been an exceptionally hectic week, including both my trip to the National Communication Association conference in San Francisco, where I presented, and the usual pre-Thanksgiving shuffle of student assignments and meetings on campus. So, in lieu of an original blog post this week, I’ll give you a roundup of some recent stuff that I haven’t previously posted here.

“Control in the Classroom” at the University of Venus

I recently wrote a guest blog post for the University of Venus blog at Inside Higher Ed. In it, I describe my early teaching failures and how I’ve attempted to grow from them by trying to become a more open, (somewhat) less structured teacher.

Once the adrenaline wore off after about four class sessions, I realized that those sighs coming from the students weren’t due to the enlightenment they felt upon entering into my instructional presence. They were groans of pain as they massaged their hands after trying to take notes on my speed-lecturing. There may have also been groans of boredom.

Check out the full post here.

City and Regional Magazines Go Digital

I’ve been curious about city and regional magazines since grad school, and even did my dissertation on Texas Monthly. I took the opportunity in a recent MediaShift post to explore what these magazines are doing in the digital realm. I especially loved learning more about the history of Honolulu Magazine, which has its roots in the early history of Hawaii and the desire to present the islands as “civilized.” Sounds like a future research study to me!

Read the whole post at MediaShift here.

Make Magazine and Technological Utopianism Research Presentation

At NCA, I presented a paper I’m working on that addresses technological utopianism in Make magazine and at the Maker Faire event. I used a Prezi at a conference for the first time. I don’t know how much is intelligible from the Prezi alone, and would also say that I’m still learning how to make the most of Prezi! But here’s the presentation for your perusal. I hope to publish the paper in a journal very soon and will post here when I do.

Journalists’ Socialization and the Personal Brand

5 Nov

Social Media Overlap

I recently published a paper in the academic journal Electronic News titled “Social Media under Social Control: Regulating Social Media and the Future of Socialization.” Soon after, I saw this blog post by Todd Defren at the SmartBlog on Social Media that addresses a similar topic:

As the Millennial Generation comes online in the business world, corporate leaders will increasingly need to figure out how to deal with their young employee’s [sic] “personal brands.”

While we’ve all grown accustomed to the fact that prospective employers will be Googling us and scouring our Facebook profiles for incriminating photos, at some point the reverse will also be true:  Star employees will carefully evaluate the reputation and socialstreams of their would-be employers, to determine whether they want to associate their personal brand with that of the corporation.  This will only accelerate as the improving economy increases young employees’ options.

Defren’s post is a practical look at one of the major issues I address in the paper (though naturally he’s not among the five people who have probably read it!), and provides advice for corporate leaders and young professionals on how to balance the needs of the corporate brand with the need for employees to feel that their carefully constructed personal brands are still honored and valuable.

I haven’t written about this paper on my blog yet, as I was waiting for it to get published (yes, this is a problem of academic publishing; it’s been a year since I finished the paper and presented it at a conference, but it’s just now seeing print). Clearly, though, now’s the time!

Social Control in the Newsroom (or somewhere)

In the paper, I discuss how many journalism educators – like me – are encouraging students to start developing their personal brands, even as undergraduates just starting out in the field. In the past research about the socialization of journalists – the ways that professionals learn the norms, routines and culture of the field – we have always thought about socialization as beginning primarily when a journalist takes a full-time position at a news organization. The classic research by Warren Breed in 1955 on this topic suggested that a subtle process of “social control,” not explicit rule-setting, shaped new journalists’ early work and so helped them learn how to gain acceptance from superiors and colleagues. Breed, however, and the primary researchers on this issue who followed him (e.g., Gans, Tuchman), were obviously doing their work prior to the Internet and its use for personal branding.

The Internet and the new opportunities it has presented for personal expression have made it possible for what Dan Gillmor and others call “acts of journalism” to be feasible well before an individual takes a job at a news organization. For example, a young person in middle or high school can now, in theory, do “journalistic” things with a blog or a Flickr account. Journalism isn’t just something that happens during one’s adult years when one is employed as a journalist.

Job Insecurity and Corporate Needs

That’s just one factor that complicates our understanding of socialization. The other is the increasingly fluid nature of media employment and the likelihood that many of today’s young journalists will have what Mark Deuze calls a “portfolio lifestyle,” with no long-term commitment to a news organization. When a journalist’s career consists in large part of contract or freelance work, who “socializes” him or her? There’s no editor waiting day in, day out, pencil in hand, ready to socialize the newbie into the profession. There are editors, but there aren’t necessarily the kind of long-term, repetitive interactions that researchers have observed in the past as socializing forces. Add to that an ongoing sense of job insecurity and doubt, as well as the need to work in multiple media, and today’s young journalist has fewer fixed points of reference for his or her development within the norms of the profession.

[By the way, that's not necessarily a bad thing. Breed, the pioneer of research in this area, pointed out even in 1955 that the "social control" process of socialization led to a narrow understanding of the field and an "old boys' network" that restricted entry into the profession and limited news coverage in undemocratic ways. Questioning our definition of journalism and its norms - though that questioning is currently causing plenty of upheaval - is a valuable enterprise.]

Edited Version of First Book

Personal Branding and New Journalists

So, what does all that have to do with personal branding? Think of today’s young journalists – like many of my students – who have followed their instructors’ and mentors’ advice to develop some sort of personal brand or distinctive identity in the online world. What happens when these enterprising students do end up working for a news organization? They will have to balance their personal brands against the corporate brand, and decide how much they are willing to sublimate their personal efforts to build and maintain a distinct identity (a valuable asset, especially if they’re uncertain how long their employment will last) to the corporate brand.

The primary area where I can imagine these values (personal vs. corporate brand) clashing is in the realm of social media policies at news organizations. Though I get the impression overall these have become in many cases somewhat more liberal than they were when I first began researching the paper, it’s apparently still common for news organizations to restrict their employees’ use of social media for various reasons, including fear of appearing biased, fear of libel suits, and fear of damage to the corporate brand. However, the value of allowing an employee to maintain his or her personal brand as an asset, I would argue, is likely to become an overriding consideration in the years to come, as more young journalists whose priority is their own career survival resist corporate policies that infringe on their use of social media to sustain their personal brands.

Research and Management Implications

Two implications of these changes as a whole are that: 1) researchers must think of the socialization of journalists differently, as beginning earlier than we previously considered, and need to consider the “portfolio lifestyle” and personal brand as part of our research on journalists’ attitudes and routines; and 2) news organization managers and journalists must consider how they can let personal brands shine and enrich the corporate brand, while still meeting the needs of the larger organization.

For news organizations, this consideration likely means establishing guidelines – not strict policies – governing employees’ use of social media, and permitting individuals to use their best judgment. As Alfred Hermida notes, for example, the BBC’s new social media guidelines suggest that employees “be mindful that the information you disclose does not bring the BBC into disrepute.” These kinds of reasonable guidelines are likely to cause less strife among the journalists of the future when they seek to balance their need to maintain their personal brand with the need to contribute to a news organization’s mission.

So there’s the nearly 9,000-word scholarly paper distilled into 1,100 words! If you’re interested in the full paper, let me know; I’m happy to share it.

Doing Research with Digital Magazine Editions

25 Feb

A MAKE magazine cover and page used as decor at the Maker Faire in San Mateo, Calif., May 2009.

I recently completed a first version of a research paper on MAKE magazine, the DIY publication for “makers” who like to create anything from home garden gear to robots to open-source cars. It was a fun project, including an analysis of the text of the magazine and a visit to the Maker Faire last May in San Mateo, Calif.

This was the first time I’ve conducted a research project on magazines without access to paper copies of the issues I examined. I subscribe to MAKE, but wanted to include more than just the few issues I’d received in my analysis. I thought it might be helpful to write a bit about the digital research process for other folks who might undertake the same kind of project.

First, I was fortunate that MAKE offers a subscription add-on that permits access to a digitized archive of all of the magazine’s issues to date. I didn’t even have to pay extra for this access. The online archive is an exact replica of the print magazine, including the ads; I believe the digital edition is produced by Texterity. Without this exact digital replica, I wouldn’t have attempted this project.

I was able to page through the online copies of the magazine just as I would have the paper copies. Though the digital edition was easy to access and free with my subscription, the possible shortcomings of this approach are probably evident: 1) difficulty in taking notes and saving material to quote in the analysis; 2) reading online vs. reading print; and 3) organizing my material without having papers to shuffle into a neatly ordered pile.

Sharing inspiration at the Maker Faire, San Mateo, Calif., May 2009.

Thanks to a couple of strategies, I was able to work around all of these potential issues easily. First, I used outlining software Inspiration and the social bookmarking site Delicious to help me retain material I’d want to return to later. When I came across a passage I thought I’d want to quote, I retyped it word-for-word into my Inspiration outline, reorganizing the material later to suit the analysis as it developed.

The online edition of MAKE did not have a highlighting, annotating, or bookmarking feature, unfortunately. However, I managed to still save links to specific pages by choosing its “Share” option, clicking on Delicious, and saving a link to the particular page I wanted to my bookmarks there. I was also able to add a brief note about what was of interest on that page to the Delicious notes box. I also tagged every page I saved from the online edition with “makepages” so I could easily view them all in one list on Delicious.

Reading the magazine’s digital edition instead of its print edition was more difficult for me physically. This project finally caused me to take the plunge and invest in a bigger monitor – a 24″ LCD screen – for my desk at home. My 15″ MacBook Pro screen just didn’t cut it for my straining eyes. Luckily for this low-budget researcher, I found one at Costco for less than $200. It was a huge relief to be able to fit two pages on the screen at once and still be able to read the text, not to mention a timesaver to avoid all the zooming in and out. We don’t always think about these physical realities of research, but as we move increasingly to digital approaches, the ergonomic aspects of our work become more important.

Finally, I’ve been able in the past to photocopy magazine pages and order them for easy reference as I wrote my analysis. This time, though, all of the ordering had to be done in my outlining software. Shuffling bullet points around in Inspiration to find the best place for a specific piece of data was fast and easy. Whenever I lost track of a good quote or wanted to find more information on a specific topic, all I had to do was use the digital edition’s search feature to locate it again quickly.

A "Subscription Station" at the Maker Faire in San Mateo, Calif., May 2009.

Overall, I think the project turned out well. My familiarity with Inspiration and Delicious made it run much more smoothly, and I wouldn’t hesitate to use digital magazine editions for research like this again. I’m also proud of how little paper I used for this project. I think that magazine research using digital editions, despite the still-unfamiliar interface, will end up being more efficient and greener, especially as digital editions improve and become more widely available. I’m excited to see how digital editions might change the ways we work on research on magazines.

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