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Research Ideas: Digital Magazine Publishing for the Masses

26 Jan
Collecting Magazines

The bin of leftover magazines...its days are numbered in the digital age.

I’m contemplating the best angle for a new research project about the world of digital magazine publishing. I’m including here not just the magazines that have released iPad and other mobile apps, but also web-based publishing like that offered by Zinio, Yudu, Texterity, NoLayout, and others.

I’m interested in to what degree these digital magazine publishing opportunities are democratizing magazine publishing. Though I find print-on-demand a fascinating trend as well for magazines whose content and design implies the value of a lasting hard copy, the high cost of purchasing many of these publications means that they will likely be restricted for some time to a more affluent audience. But the opportunity for small publishers to whip up a magazine in PDF format, then post it online, seems to open up a whole realm of possibilities.

No longer are independent publishers relegated to blogs or mere websites; the ability to publish a polished, slick, easily accessible digital magazine is now within reach. Any magazine can be available on the web or even on the iPad using a newsstand app like Zinio, or through HTML5 using a service like NoLayout (though the latter concentrates on fashion and art topics).

So who is taking advantage of this opportunity to present a polished look at their subject matter? I’d like to know the breakdown by size and topic of the independent publishers who are crafting new projects online. I’d also like to know, more specifically, whether and how many activist or politically oriented digital-only magazines there are. An initial exploration of just Zinio’s listings suggests, interestingly, that there are many more ethnic or international magazines that might fit the “activist” label than English-language publications of this variety. As someone interested in how magazines affect or enable various social and political movements and identities, I also want to know whether and how digital magazines are playing a similar role to print magazines’ role in past movements. (I did a study on the role of National Review in mobilizing the conservative movement, though mine is just one of numerous studies in this area.)

I’ve previously explored the role of social media in adding to political/activist print magazines’ engagement of readers in this MediaShift story. The research study I’m anticipating now would likely examine the role of smaller, exclusively online activist publishers in directing, enabling, or mobilizing the causes they’re associated with through this new medium, as well as the reasoning behind their decisions to use digital magazines for this purpose.

If you have thoughts or suggestions along these lines, or suggestions of specific digital magazines I should explore, please leave a comment. I am excited about the opportunity to have some dialogue around this topic before I set out a concrete plan for the project.

Cronkite, I Never Knew Ye, But…

21 Jul

Walter Cronkite

First, let me say that I have found Walter Cronkite’s coverage of significant world events endearing and impressive, as his audience did over the years. I never saw him as a broadcaster and have only known him as a public figure (and fellow Texas Longhorn) due to my rather young age, but I am aware that many people have great affection and regard for him.

Cronkite has a reputation for having been “an objective journalist.” Just two weeks ago during a visit to my family in Texas, Cronkite’s name was mentioned to me during a vigorous discussion as a paragon of how “journalism used to be,” and how it “ought to be” – like Cronkite, you know, back in the day, objective. When anchors could sign off with “That’s the way it is,” and viewers didn’t feel it appropriate to laugh.

I feel that the nostalgia for this particular aspect of Cronkite’s journalistic era demonstrates an unfortunate and damaging misunderstanding of the journalistic enterprise. Cronkite was remembered during this particular discussion as a paragon of objectivity who kept his opinions out of the coverage. However, what this perspective does – and what many discussions of media bias issues do – is to assign the responsibility for objectivity in the production of journalism to the individual journalist. This perspective says that if the news seemed more objective back then, it was because Cronkite alone made it so.

I comment on this not to critique Cronkite’s individual performance as a journalist in any way; as I’ve said, I wasn’t even alive for most of his career. What I am instead concerned about is that we be careful to regard journalism not as the product of a single journalist who makes all the decisions about how news is covered, but as the product of a much more complex system of which the journalist is but one small part. An important part, yes, but only one part.

In today’s journalism – and this is, to a degree, different from Cronkite’s era – other influences are much more definitive factors in which and how topics are covered than a single journalist’s choices ever will be. These include the influences of the professional standards of journalism, of corporate ownership of journalism organizations, of advertisers, and of other interest groups such as corporate public relations.

Journalists do not have completely free rein in determining their stories’ topics or composition, contrary to the implied view of many who argue that whatever form of “bias” they perceive is actually caused by journalists advancing their own personal political agendas. Instead, journalists are taught – beginning, for many, with training in university journalism programs – what the norms of their field are, and how to become and remain employable in the profession. (Disclaimer: yes, as a journalism professor, I teach about these norms, though I do my best to get students to assess them critically.)

Cronkite worked within that same journalistic system, and had similar issues to contend with every day in his work. He might have had a bit more freedom to make decisions about his coverage, because during his career (especially its earlier years), corporations, advertisers and public relations efforts were perhaps not so routinely involved in the news production process. News was regarded as a public service that broadcasters were obligated to provide in exchange for the right to use the public airwaves, and was even required of broadcasters by the FCC to maintain their licenses. But that’s no longer the case. And even during Cronkite’s career, the professional guidelines about how to cover the news that journalists internalize through education and experience did exist, and did shape their decisions. After all, even the decision to cover one story and not another is a decision that affects the nature of the news. That basic decision is unavoidable in the creation of “journalism.”

So though I am sad to see Cronkite leave us, I think that what many people are mourning along with his loss is not so much the disappearance of objective journalism, though that is how it has been labeled in coverage of his passing. “Objective journalism” always has been and will remain a myth. Instead, I think audiences are grieving for something more difficult to name. We look back with nostalgia at a time in which journalism appeared to have meant something, to its corporate producers, to the government, to its audience. Citizens could use journalism actively for democratic purposes if they desired – as compared to today’s too-often vapid and inconsequential coverage that leaves us ill prepared for civic participation, when those participatory opportunities exist.

Maybe what we mourn today is the passing of an era in which news seemed to be worth something more than mere profits to its producers and audience. Journalism was then, though never perfect, at least in a somewhat better position to serve as the democratic foundation of the nation. We have yet to figure out how to get it there again.

Rethinking Independence and Our Media

4 Jul
Photo by Flickr user ricardo.martins

Photo by Flickr user ricardo.martins

What is true independence? From a rethinking of the term for our contemporary challenges, Beyond Independence, by Robert Jensen and posted today at Zspace:

…we all know that we are not independent beings but profoundly interdependent with each other, other organisms, and the non-living world. The task is to create a system that gives us freedom from the illegitimate authority that people and institutions attempt to impose on us, but recognizes our obligations to each other. One way to think through this is to imagine what a world would look like if power were not “over” but “with,” if we understood that our power can be magnified in collaboration with others.

Jensen’s words brought to mind for me the nature of our current media system, though he intends his discussion of the issue on a much larger scale. I find our current media system to be largely an “imposition” upon media audiences. True, we can always turn off the TV or computer and walk away, but most of us want the connection to current events and our culture that media provide. So we end up using media products that are created by corporations, for the most part, and whose goal is to generate profit for their producers, not to enlighten and inform us or to improve our society. We use media products that regard us as consumers, not as citizens, and that care little for our “pursuit of happiness” beyond making sure we watch commercials and buy stuff.

Other models of media production are available, and some of the most potentially powerful options follow the alternative definition of independence that Jensen offers: independence and power found through connecting with other people and, indeed, relying upon them – as opposed to maintaining passive audiences with little connection to the source of media or to each other. These alternative systems can be large-scale, as in public media on the national level, or micro-scale, as in small online social networks around topics of interest.

Two examples of “interdependent” media systems that would free us from the corporate concerns of today’s media are publicly funded media systems – along the model of the BBC or a souped-up, politically independent remodel of PBS – and the creation of community media, like low-power FM stations or local nonprofit news sites like Voice of San Diego.

These systems force the interdependence of creators and users by requiring funding to come from the public, thereby (ideally) increasing transparency and the accountability of media creators to their consumers. They also offer opportunities for audiences to contribute their own voices to the mix, as in comments on blogs and video uploading.

These advantages make it possible for media consumers to become part of the creation process, and therefore the ultimate quality of the media products is dependent partly upon their contributions, whether financial (via taxes or donations) or creative (via their addition of their own content). Either way, the media created through these models are certainly far more “independent” than anything we see in today’s corporate media. They represent us – our voices, our interests and our needs as citizens – and in fact require us to be active and responsible to each other. The growth of these types of media can ensure that we continue to work toward democratic goals, rather than merely the goal of profit – while putting power into the audience’s hands, not the hands of media corporations.

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